Breakdancing Shakespeare

Every summer, Hartford Stage’s Education Department does a project called Breakdancing Shakespeare. They bring in a group of highly skilled dancers between the ages of 16 and 22 to rehearse and perform a Shakespeare play with breakdancing interwoven into the storytelling. This year, the play is Much Ado About Nothing, and I had the opportunity to do some Voice and Text work with the cast. The production is adapted and directed by Nina Pinchin, choreographed by Brandon Couloute, and has music by Kevin Scott. Performances run July 26th-28th. Tickets and more info is here!

As You Like It

The Shakespeare Theatre of New Jersey’s outdoor production of AS YOU LIKE IT by William Shakespeare and directed by Jemma Alix Levy is in previews and opens June 26th! This was my first time working in STNJ’s Outdoor Stage, a beautiful amphitheater inspired by the Theatre of Dionysus in Athens. It’s a stunning place to take in a play. Performances run through July 14th in Morristown, NJ. More info and tickets here!

the ripple, the wave that carried me home

Christina Anderson’s beautiful play the ripple, the wave that carried me home begins previews tonight at Yale Repertory Theatre. This production is directed by Tamilla Woodard, Chair of the Acting Program at the David Geffen School of Drama at Yale, and it features three Yale Drama School alums in the cast. It’s been an honor and a pleasure to serve as Vocal Coach on this play. Performances run through May 20th. More info here.

Henry V Podcast

This spring I served as Voice and Text Coach for a podcast production of HENRY V, translated into modern English verse by Lloyd Suh and directed by Krista Williams for Next Chapter Podcasts. I had a wonderful time working with Bobby Moreno on Henry’s many speeches in this play, as well as with Nikki Massoud and Brittany Kathryn Allen on the French language and accented English in the play.

The first three episodes are out, and a new episode will drop each Friday. Listen wherever you get your podcasts!

RIDE THE CYCLONE and Other Show Updates

My latest project started performances on April 30th at McCarter Theatre Center in Princeton, NJ. The piece is a musical called RIDE THE CYCLONE by Brooke Maxwell & Jacob Richmond and directed by McCarter’s new Artistic Director, Sarah Rasmussen. It’s wacky and magical, and I coached some French and Ukrainian accents for it. Performances run through May 29th. More info and tickets here.

Some other projects of mine have come and gone since my last post. I served as Voice Coach on two productions at Connecticut Repertory Theatre this spring: SEVEN SPOTS ON THE SUN by Martín Zimmerman and directed by Tlaloc Rivas had performances March 26th - April 3rd and LITTLE SHOP OF HORRORS by Howard Ashman & Alan Menken and directed by Vince Tycer had performances April 21st - May 1st. I also coached accents for a production of CABARET by John Kander, Fred Ebb, & Joe Masteroff and directed by Ken Prestininzi at Connecticut College in New London, CT.

It’s been a busy spring!

December Updates

Two shows I coached had performances in December.

FOOD FOR THE GODS, written and directed by Nehprii Amenii, had three performances at the Connecticut Repertory Theatre, December 11th & 12th. This promenade-style performance piece served as a healing ritual for black men killed by police and other self-appointed law-enforcers over the years. It’s a piece unlike any others I’ve worked on, and I’m so grateful to have had the opportunity. The number of performances was reduced due to issues around COVID.

A CHILD’S CHRISTMAS IN WALES, adapted by Adrian Mitchell and Jeremy Brooks from Dylan Thomas’s short story and directed by Bonnie J. Monte, had performances at the Shakespeare Theatre of New Jersey, December 8th-26th. It was a beautiful, heart-warming show with a lovely cast, and it was the first show produced in the Kirby Theatre in two years. It closed early due to issues around COVID.

Lastly, I co-taught the 33rd offering of the Knight-Thompson Speechwork workshop, Experiencing Speech, December 11th-17th. I love teaching this workshop, especially in the December slot. The workshop is always filled with interesting, curious participants who teach me so much. And I had a blast teaching with my KTS colleagues, Andrea Caban and Nathan Crocker. Here’s a screenshot of our recording thumbnails:


Coriolanus

This summer, I got to serve as Voice and Text Consultant on Play On Shakespeare’s podcast production of CORIOLANUS in a modern verse translation by Sean San José and directed by fellow A.R.T. alum Kate Wisniewski. The cast is comprised of all female and non-binary actors, and a majority of them are people of color.

It was challenging and deeply fulfilling to work on this text with this group of artists. A new episode will be streamed for free each week! Listen to the first episode now and subscribe.

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